Contemporary, Mid-Century Modern

Conceived by Mark McInturff, FAIA, of McInturff Architects and rebuilt in 2015, this residence reads as both home and sculpture—4,265 square feet unfolding across three finished levels, offering 5 bedrooms and 6 full bathrooms and set with quiet precision on a professionally landscaped 0.48-acre lot in Chesterbrook Woods. Materials are carefully composed: Porcelanosa surfaces lend a restrained, tactile continuity underfoot and throughout the baths, while Christiana kitchen cabinetry rises in clean, uninterrupted planes—concealed, architectural, deliberate. The entry is an experience in volume and light—a double-height hall where twin Moooi sphere chandeliers hover like installations, and Porcelanosa floors extend outward toward the landscape beyond. From here, the home reveals itself not all at once, but in curated moments: a living room wrapped in picture windows and softened by a gas fireplace; a dining space where light filters through expansive glass and sliding glass doors that extend the composition outward to the backyard terrace, where interior geometry dissolves into landscape. The kitchen is a lesson in composition—waterfall island, Caesarstone surfaces, and integrated Christiana cabinetry concealing function within form. Every element is intentional, from the Sub-Zero and Dacor appliances to the quiet efficiency of soft-close storage, allowing the architecture to remain uninterrupted. Beyond, the plan expands with quiet versatility: two bedrooms—one equally suited as a private office—alongside two full baths and a thoughtfully integrated laundry room, each space resolved with the same disciplined clarity. Upstairs, the private quarters continue the dialogue between light and structure. The primary suite rises beneath a vaulted ceiling, its geometry softened by natural light and calibrated illumination. The bath becomes a sanctuary of material and proportion—Porcelanosa tile, a sculptural soaking tub, frameless glass, and floating vanities arranged with gallery-like precision. The lower level extends the narrative—recreation with gas fireplace, fitness room, and utility area arranged with purpose and connected seamlessly to the 2-car garage and outdoor environment. Throughout, the home operates as a study in cohesion: hardwood floors refinished in 2026, integrated sound, sculptured lighting, and systems designed to support modern living without disrupting the architectural language. Outside, the landscape—azaleas, crape myrtles, stonework, and a flagstone terrace—acts as both frame and extension, reinforcing the dialogue between built form and natural setting. This is not simply a home, but a composition—where every line, material, and volume has been resolved with intention. Located within the Chesterbrook Elementary, Longfellow Middle, and McLean High School pyramid, the home is close by to neighborhood parks, shopping, swim and tennis clubs, trails, and major commuter routes, offering convenient access to downtown McLean, Tysons, and Washington, DC.

Conceived by Mark McInturff, FAIA, of McInturff Architects and rebuilt in 2015, this residence reads as both home and sculpture—4,265 square feet unfolding across three finished levels, offering 5 bedrooms and 6 full bathrooms and set with quiet precision on a professionally landscaped 0.48-acre lot in Chesterbrook Woods. Materials are carefully composed: Porcelanosa surfaces lend a restrained, tactile continuity underfoot and throughout the baths, while Christiana kitchen cabinetry rises in clean, uninterrupted planes—concealed, architectural, deliberate. The entry is an experience in volume and light—a double-height hall where twin Moooi sphere chandeliers hover like installations, and Porcelanosa floors extend outward toward the landscape beyond. From here, the home reveals itself not all at once, but in curated moments: a living room wrapped in picture windows and softened by a gas fireplace; a dining space where light filters through expansive glass and sliding glass doors that extend the composition outward to the backyard terrace, where interior geometry dissolves into landscape. The kitchen is a lesson in composition—waterfall island, Caesarstone surfaces, and integrated Christiana cabinetry concealing function within form. Every element is intentional, from the Sub-Zero and Dacor appliances to the quiet efficiency of soft-close storage, allowing the architecture to remain uninterrupted. Beyond, the plan expands with quiet versatility: two bedrooms—one equally suited as a private office—alongside two full baths and a thoughtfully integrated laundry room, each space resolved with the same disciplined clarity. Upstairs, the private quarters continue the dialogue between light and structure. The primary suite rises beneath a vaulted ceiling, its geometry softened by natural light and calibrated illumination. The bath becomes a sanctuary of material and proportion—Porcelanosa tile, a sculptural soaking tub, frameless glass, and floating vanities arranged with gallery-like precision. The lower level extends the narrative—recreation with gas fireplace, fitness room, and utility area arranged with purpose and connected seamlessly to the 2-car garage and outdoor environment. Throughout, the home operates as a study in cohesion: hardwood floors refinished in 2026, integrated sound, sculptured lighting, and systems designed to support modern living without disrupting the architectural language. Outside, the landscape—azaleas, crape myrtles, stonework, and a flagstone terrace—acts as both frame and extension, reinforcing the dialogue between built form and natural setting. This is not simply a home, but a composition—where every line, material, and volume has been resolved with intention. Located within the Chesterbrook Elementary, Longfellow Middle, and McLean High School pyramid, the home is close by to neighborhood parks, shopping, swim and tennis clubs, trails, and major commuter routes, offering convenient access to downtown McLean, Tysons, and Washington, DC.